Dominic Torretto (Vin Diesel) and
Brian O’Conner (Paul Walker) are set for life. The Rio de Janeiro heist has afforded them a
very early retirement. They plan to live
out the rest of their days in comfortable anonymity, while the rest of their
crew live it up abroad. Diplomatic
Security Service agent Luke Hobbs (Dwayne “The Rock” Johnson) descends on this
new found paradise like a dark cloud. However,
brings a tempting propostion to Dominic.
International heist master Owen Shaw (Luke Evans) and team of
specialists have pulled off one brazen and elaborate heist after another. They are gearing up for their biggest job
yet. Hobbs desperately needs to stop
them. In exchange for Dominic’s help,
Hobbs offers him the one thing money can’t buy.
With full tanks full of gasoline and nitrous oxide at the ready, Dom and
company rev their engines for another mission.
Friday, May 24, 2013
Thursday, May 23, 2013
Endangered Species: A 20th Anniversary Retrospective of ‘Menace II Society’ (Part 7)
In honor of the 20th
anniversary of ‘Menace II Society,’ I proudly present this multipart retrospective. The current chapter is posted below. To read the previous chapter, please click here. Thank you, and enjoy!
Part VII: Makaveli Strikes Back
Filming had commenced on Menace
II Society without the participation of Tupac Shakur. He walked out on the production after a
nonsensical dispute with co-director Allen Hughes. However, he hadn’t formally quit. He simply instructed Hughes to “call his
manager.” When Allen’s repeated attempts
to do so proved fruitless, New Line Cinema gave the rap star the pink
slip. The role was then recast with a
different actor.
Monday, May 20, 2013
Endangered Species: A 20th Anniversary Retrospective of ‘Menace II Society’ (Part 6)
In honor of the 20th
anniversary of ‘Menace II Society,’ I proudly present this multipart retrospective. The current chapter is posted below. To read the previous chapter, please click here. Thank you, and enjoy!
Part VI: Touring The Inferno
Tupac’s melodramatic departure from Menace II Society could have easily shut down the production. It was his participation that convinced New Line Cinema to give it the green light. Luckily, they didn’t pull the plug. Shooting commenced as planned. However, there was another issue to contend with. The 1992 riots had left South Central L.A. in shambles. Nevertheless, it remained a complex labyrinth of gang territories. The Eastside Grape Street Watts Crips had a direct hand in the truce that immediately preceded the Riots. Unfortunately, it didn’t apply to everyone. The Jordan Downs Public housing projects was one of many treacherous locales on the shooting schedule. The Hughes brothers might as well have been filming in the Persian Gulf just after desert storm.
Labels:
20th Anniversary,
Crime Film,
Gangs,
Gangsta Rap,
Hood Film,
LA Riots,
MC Eiht,
Menace II Society,
The Hughes Brothers,
Tyger Williams
| Reactions: |
Saturday, May 18, 2013
Movie Review: Star Trek Into Darkness
Captain James T. Kirk (Chris Pine) has officially worn out his
welcome. Starfleet has grown quite weary
of his blatant disregard for protocol. Unfortunately,
there are far more pressing matters afoot.
A mysterious new enemy (Benedict Cumberbatch) has declared all-out war
on the federation. Kirk is given
clearance to seek out him out and destroy him if necessary. With the crew of the U.S.S Enterprise in
tow, he sets course for the Klingon home world.
Together, they will engage a foe unlike any they have ever faced.
Friday, May 17, 2013
Endangered Species: A 20th Anniversary Retrospective of ‘Menace II Society’ (Part 5)
In honor of the 20th
anniversary of ‘Menace II Society,’ I proudly present this multipart retrospective. The current chapter is posted below. To read the previous chapter, please click here. Thank you, and enjoy!
Chapter V: Gathering the Troops
The Tender Trio had gotten all of their ducks in a row. They now had a script, a star (in a
supporting role), and a studio. The
participation of Tupac Shakur ensured that Menace
II Society would be made in conjunction with New Line Cinema. It was the best deal the trio could hope for
at that time. However, there were early
signs of trouble. Tupac’s erratic
behavior was worsening by the day. The film’s
subject matter openly courted controversy.
When word of the project got around, other Black filmmakers tried to
sabotage it. The studio received a
number of angry calls. Though
undeterred, New Line was definitely cautious.
Thursday, May 16, 2013
Endangered Species: A 20th Anniversary Retrospective of ‘Menace II Society’ (Part 4)
In honor of the 20th
anniversary of ‘Menace II Society,’ I proudly present this multipart retrospective. The current chapter is posted below. To read the previous chapter, please click here. Thank you, and enjoy!
Part 4: A Method to the Madness
When Tupac asked Allen Hughes to direct the video for “If My
Homie Calls,” the filmmaker was hesitant.
He didn’t much like the track, but he needed Tupac to play the lead in
his movie. New Line Cinema agreed to
bankroll Menace II Society with the
understanding that a platinum artist would be cast in the lead. Tupac didn’t have a platinum plaque yet, but
his star was certainly rising. His tour
de force performance in Juice was nothing
short of a revelation. He’d also landed a
lead role in John Singleton’s sophomore effort, Poetic Justice. Against his
better judgment, Allen took the job.
Labels:
Black Cinema,
Crime Film,
Gangs,
Gangsta Rap,
Hood Film,
LA Riots,
Menace II Society,
The Hughes Brothers,
Tupac Shakur,
Tyger Williams
| Reactions: |
Wednesday, May 15, 2013
Endangered Species: A 20th Anniversary Retrospective of ‘Menace II Society’ (Part 3)
In honor of the 20th
anniversary of ‘Menace II Society,’ I proudly present this multipart retrospective. The current chapter is posted below. To read the previous chapter, please click here. Thank you, and enjoy!
The screenplay for Menace
II Society offered a bold and timely vision of life in the “hood.” However, America was in no condition to
receive such a harsh message. It was the
early 1990’s, and the age of “political correctness” was just getting underway. Activists and watchdog groups aggressively
pushed their respective agendas. Public
schools and workplaces implemented programs that taught “tolerance,” and “cultural
diversity.” The Black consciousness
movement in Hip-Hop was reaching ebb tide.
The Fox network became a haven for shows aimed at African American viewers.
Anything not seen as “progressive” in
some way would was looked upon harshly.
Monday, May 13, 2013
Endangered Species: A 20th Anniversary Retrospective of ‘Menace II Society’ (Part 2)
In honor of the 20th
anniversary of ‘Menace II Society,’ I proudly present this multipart retrospective. The current chapter is posted below. To read the previous chapter, please click
here. Thank you, and enjoy!
Part 2: Countdown To Armageddon
In laying the groundwork for their crime ridden cautionary
tale, the “Tender Trio” didn’t need to look very far for inspiration. They had only to peer out of their living
room windows, or play their favorite rap albums. By 1991, Los Angeles had become a veritable
powder keg of social unrest. The illegal
drug operation birthed by “Freeway” Ricky Ross and his Nicaraguan connection
had mushroomed into a nationwide epidemic.
Throughout the 1980’s, L.A. gangs morphed into heavily armed militias
thanks to the crack trade. A saturated
marketplace soon facilitated their exodus to other areas of the U.S. This was especially true of L.A.’s two
largest Black gangs: The Bloods and the
Crips. Both organizations were born in
the 1970’s, in the wake of the Black power movement. By the early 1990’s, they’d carved up every
square block of South Central L.A. amongst themselves. Battle lines were drawn in accordance with
neighborhood boundaries. Ordinary
civilians became live- in hostages. The
police became just another gang, though one with the backing of city government.
Saturday, May 11, 2013
Endangered Species: A 20th Anniversary Retrospective of ‘Menace II Society’ (Part 1)
Part 1: The Tender Trio
There’s nothing more deflating than a revolution that peaks
before it can effect real change. So it
was with the Black film renaissance of the early 1990’s. That resurgence was largely spurred on by the
popularity of so-called “hood” movies. In
March of 1991, the Neo-Blaxploitation flick New
Jack City roared out of the gate with both guns blazing. Alarmist ravings from fear mongering media
pundits stoked audience curiosity, turning the film into a sizable hit. In July of that same year, Boyz n the Hood brought some much needed
prestige to the emerging subgenre. It
was honored with two Oscar nominations at the 64th Academy Awards. Seemingly overnight, Hood films had become
the order of the day. In May of 1993, a
bold new entry to that rapidly expanding cannon upped the ante to explosive
levels. What it lacked in subtlety, it
made up for with menace.
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