Does the film ultimately
deliver the goods? Is the very idea of a “serious” Godzilla film an
oxymoron? Should giant monster movies be nothing more than campy fun?
Is it possible for the genre to offer something more substantial? Could
Gareth Edwards’ approach to the material be considered pretentious?
Should he have simply stuck to the blueprint established by Toho studios
over the past 60 years? Does he even manage to best Roland Emmerich’s
much derided Godzilla film? Will the undisputed “King of All
Monsters” ever receive proper treatment by an American studio? Is this
film worthy of a sequel? How heavily does it borrow from the Gamera Trilogy?
If there is a sequel, which one of Godzilla’s foes should make an
appearance? How many films will it take before Hollywood’s giant
monster revival becomes stale?
We’ll also be talking about Solange Knowles and her violent attack on Jay-Z. What caused it? Do any of the popular theories hold weight? Is there a double standard in regards to inter-gender violence? Should Solange be subjected to the same legal ramifications that a male in her position might be subjected to? Would Jay have been within his rights had he decided to fight back? What does the public’s reaction to the incident say about male/female relations?
We’ll also be talking about Solange Knowles and her violent attack on Jay-Z. What caused it? Do any of the popular theories hold weight? Is there a double standard in regards to inter-gender violence? Should Solange be subjected to the same legal ramifications that a male in her position might be subjected to? Would Jay have been within his rights had he decided to fight back? What does the public’s reaction to the incident say about male/female relations?
Online Entertainment Radio at Blog Talk Radio with Scottscope on BlogTalkRadio
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